The monumental structure that is the Quaid’s Mausoleum was designed as a symbol of strength and inspiration for the nation. Inaugurated on June 2, 1970, architect Yahya Merchant’s design suggests a fusion of Islamic architecture with his original concepts.
The resulting unique model, with its dome and tapering walls, is reminiscent of Sarachenic architecture which became popular during the reign of the Muslim Emperor Muhammad bin Tughlaq. The architect perceived Tughlak’s personality as similar to that of Jinnah’s – men ahead of their times. The design encompasses three basic units; the square, octagon and ovoid (egg-shaped).
The platform and the outer form of the tomb are designed as squares. The interior chamber and the basement conceal the octagonal shape, as does the placement of the marble pillars. The ovoid is evident in the high doorways, arches and domes, reducing the effects of the bulky facade.
Cement and reinforced concrete create a modern vision of a dome on exaggerated high walls with an open interior space. The taperedexterior walls amplify the verticality of the facade, punctuated by tall archways on four sides.
The conscious choice of white marble is a testament to the architects desire to promote the nation’s natural resources and skills. Surrounded by landscapes and water bodies, the Mausoleum has a ceremonial passage at the foot of the massive square platform. Standing on the last steps, one can look up at the calm yet imposing white marble structure – a symbol of the dynamic personality of the Quaid-i-Azam Mohammad Ali Jinnah.
The marble graves inside are adorned with intricate silver and copper geometric patterns and floral carvings reminiscent of Islamic architecture at its peak. Standing proud in its natural surroundings, the Mausoleum is an ambitious crossover of all that the Quaid envisioned.
By Farah Rizwan and Wafa Ali. The writers are adjunct faculty member and lecture, respectively at the IndusValley School Arts and Architecture.